GUAC
Written & Performed by Manuel Oliver
Co-Written by James Clements
Directed & Produced by Michael Cotey
In Association with Change the Ref
GUAC is a fearless, funny, and deeply moving theatrical tour-de-force about a father turned activist. Eight years after his son Joaquin "Guac" Oliver was killed in the Parkland shooting, Manuel Oliver channels his love, loss, and rage into a powerful force for change. From pepperoni bacon pizza to air guitar solos, Oliver paints a vivid, unforgettable portrait of a vibrant life cut short—and a father’s relentless fight for a better future. Both a celebration and a rallying cry, GUAC pulls zero punches and speaks to anyone who has ever loved, lost, or dreamed of making a difference.
Performance Schedule
September 25 – October 10, 2026
Previews
September 25, 26, & 30 • 7:30 PM
September 27 • 2:00 PM
Opening Night
October 1 • 7:30 PM
Evenings
October 2, 3, 7, 8, 9 & 10 • 7:30 PM
Matinees
October 3, 4 & 10 • 2:00 PM
Event Details
Tickets: $35 - $65
inclusive of fees
Presented bilingually in English and Spanish. 100 minutes • No intermission
Venue Details
The People's Theatre
Centro Cultural Inmigrante
419 West 206th Street
New York, NY 10034
In The News
New York Times • LA Times • Washington Post
The Story of GUAC
Every family has stories that shape who they are. Some remain private. Others become so important they must be shared.
On February 14, 2018, 17-year-old Joaquín “Guac” Oliver was killed in the Parkland school shooting. To those who loved him, however, Joaquín was never defined by the violence that ended his life. He was a son, a writer, an athlete, a music lover, and a teenager whose humor, curiosity, and joy continue to shape the people who knew him best.
In the months that followed, Manuel Oliver and Patricia Padauy-Oliver founded Change the Ref, transforming unimaginable grief into one of the country's most creative movements against gun violence. Patricia became a leading advocate and organizer, while Manuel brought his experience as an artist and creative director to campaigns that have challenged elected officials, reimagined public spaces, and invited new audiences into the conversation.
Patricia has helped shape that work throughout, as Joaquín's mother, co-founder of Change the Ref, Executive Producer of GUAC, and Manuel's artistic partner. Together, they have insisted that Joaquín's story be remembered not only for how it ended, but for how fully it was lived.
Theatre offered something activism alone could not: the opportunity to spend time with Joaquín himself.
First developed as GUAC: My Son My Hero with director and co-writer James Clements, the work evolved through collaborations with director Michael Cotey, the Joaquín Oliver Artistic Producer of ENOUGH! Plays to End Gun Violence. Following its premiere, GUAC received Best Production at the United Solo Festival before continuing its artistic journey through productions at The Public Theater, Woolly Mammoth Theatre Company, and Center Theatre Group's Kirk Douglas Theatre.
Throughout its evolution, the work has remained rooted in the same purpose: celebrating Joaquín's life while challenging audiences to imagine a future free from gun violence.
Written and performed by Manuel, GUAC is at once deeply personal and strikingly theatrical. Through stories of family life, music, basketball, humor, and heartbreak, he invites audiences to know Joaquín not as a headline, but as the extraordinary young man he was.
As The People's Theatre opens its permanent home, we wanted our inaugural production to embody the values on which this organization was built.
GUAC is a story about family, the transformative power of art, and the belief that personal stories can strengthen communities. It reminds us that theatre is not an escape from the world around us. It is one of the ways we understand it together.
This production at The People's Theatre marks the first bilingual staging of GUAC, allowing Manuel to move naturally between English and Spanish while sharing Joaquín's story with audiences who navigate those same languages every day.
Throughout the run, audiences will also encounter an accompanying exhibition from Change the Ref, extending the conversation beyond the stage through visual art and installation.
As we welcome the first students into The People's Theatre Academy, GUAC offers a powerful example of the artistry we hope to nurture: work that begins with something deeply personal and, through the shared experience of theatre, becomes something shared.
A Family's Response
A Story Becomes Theatre
Why We Begin with GUAC
We have chosen to begin with GUAC.
Press & Reviews
Explore interviews, behind-the-scenes stories, and media coverage from the latest productions and performances.
A Father Stages the Unthinkable: Losing a Son in a School Shooting
The New York Times profiles Manuel Oliver’s journey from artist and activist to solo performer, and the deeply personal story at the heart of GUAC.
Read the Article
A Play About the Parkland Shooting Is Somehow Both Poignant and Entertaining
The Washington Post examines how GUAC combines humor, visual art, family memories, and political urgency without losing its theatrical vitality.
Read the Review
A Father’s Grief Makes a Heart-Wrenching Case for Gun Reform
The Los Angeles Times considers how Manuel Oliver transforms grief, memory, and visual art into an urgent and deeply theatrical call for change.
Read the ReviewCast
Production Photos
Creative Team
written & performed by
MANUEL OLIVERco-written by
JAMES CLEMENTSdirected & produced by
MICHAEL COTEYsound design
GROVER HOLLWAYlighting design
JUSTINE BURKEexecutive producer
PATRICIA PADAUY-OLIVERproducer
Change the Refstage manager
to be announcedproducing director
JIAWEN HUpress representative
ANAT GERSTEINSponsors
The productions of The People’s Theatre are supported by Advocates for Climate Innovation, Altman Foundation, the Darnell-Moser Charitable Fund, Fund for the City of New York, Horace W. Goldsmith Foundation, Howard Gilman Foundation, MacMillan Family Foundation, the Mellon Foundation, Mosaic Network & Fund, New York Community Trust, Robert & Merceder Eichholz Foundation, the SHS Foundation, Shubert Foundation, Stacie and Steve Weisbrot, Thompson Family Foundation, Upper Manhattan Empowerment Zone, the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature, and by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council.